In the exhibition “Undefined,” land, identity, and memory intertwine, exploring the complexities of identity in the occupied territories through the perspective of an artist who grew up in the Golan. I search for belonging in a reality suspended between past and present, between what is defined and undefined. In the first video, I confront viewers with silence and carefully chosen words revealing societal prejudices, which then turn inward, becoming judgments on the self. In the second video, filmed in our Golan land, I run barefoot toward another version of myself, yet an invisible wall and a cord around my waist prevent the encounter, reflecting internal conflict and the search for identity in a land I belong to only through its soil. A collaborative poetic text breaks the ambiguity of the visual works. A Syrian anthem from 1983, once on my grandfather’s wall, fades over time, testifying to belonging beyond our control. A sculpture of soil and water bears a fingerprint, marking existence, persistence, and personal impact. The exhibition dialogues between silence, ambiguity, imposed identity, and self-made identity under the shadow of the Golan.